Introducing: Megan Black
Introducing
Megan Black
Photo Credit: Brone Murray
There is a quiet ferocity to 70s-inspired rock artist and singer-songwriter Megan Black — rooted in Scotland’s rich storytelling tradition. Blending indie-folk textures with a classic rock sensibility, she crafts bold yet intimate sonic episodes, moving seamlessly between vulnerability and strength. Her songs draw listeners into deeply personal worlds, from the 60s-inspired queer coming-of-age anthem ‘Clementine’ to her latest single ‘You Have A Way’, which leans into an unflinching examination of a loveless, bitter relationship and the longing for something more.
Megan’s gift for inclusivity is equally present in her live performances. Through colour, composition, and a magnetic stage presence, she brings her persona vividly to life — engaging audiences and inviting them along for the journey. Each performance becomes a celebration of courage and resilience, carried by evocative lyricism and warm, melodic restraint.
Photo Credit: Brone Murray
What usually comes first for you: lyrics, melody, rhythm, or atmosphere?
”I usually start with a melody — I’m one of those annoying people who’s always singing or humming something. I just have to check it’s actually mine first, but that’s nearly always where the track begins.”
Do you find themes returning in writing process, even unintentionally?
”I tend to write songs about things before they happen. It’s kind of spooky at this point — they feel like little premonitions.”
How has your environment—your city, scene, or isolation—shaped your sound?
I love writing in isolation and finishing songs in new places. The isolation gives me clarity and emotion; people and places bring the inspiration and shape the sound.
What role does collaboration play in your creative process?
Collaboration is part of everything I do. Whether it’s my team, my band, co-writers or the audience at a live show — I couldn’t do any of this without the amazing people around me.
Photo Credit: Abi Houliston
What does your live show offer that listeners won’t get from the recordings?
My live show brings the drama. I love playing live more than anything, and I love that the audience are such a big part of that energy.
What’s the most valuable lesson you’ve learned from playing shows so far?
Things go wrong almost all the time — and that’s okay. I work with wonderful people who help manage the chaos, and sometimes the mistakes make it even better.
How do you know when a song is finished—or do you ever?
I feel like I’ve said what I needed to say. It evolves the more I play it live, but the studio version feels like I made the point I wanted to make.
What do you hope people take away after spending time with your music?
I hope people feel permission to be and feel however they want to. If my music brings even a little bit of power into someone’s life, that means everything.
